Is it sacrilege to declare that the best-looking cinéma dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in cool blues and shards of allégé as sharp https://musique20616.atualblog.com/38932345/le-guide-ultime-pour-flux-de-revenus-passifs